1. Workings of a Dream
 2. Me and You
 3. The Oracle
 4. In the Day of Our Parting
 5. I Can't Bear to Leave You
 6. Mercedes
 7. Starlight Threnody
 8. Should Time Fall in Between
Gustav Holger, vocals, classical guitar,
 electric guitar, organ, percussion, bass
 (“Should Time Fall in Between”),
 drums ("I Can't Bear to Leave You")
 Daniel Eriksson, piano
 Isak Rydh, electric bass, congas ("Me and You",
 "I Can't Bear to Leave You", "Mercedes")
 Sofia Haug, background vocals
 Ludwig Svanerud, drums (“Workings of a Dream”,
 “Me and You”, “The Oracle”, “In the Day of Our Parting”,
 “Mercedes”)
 Agnes Scherwin, violin
 Sofia Sterne, double bass (“Starlight Threnody”)
 Emil Hage, string arrangement (“Should Time Fall in Between”)
 Johanna Edsgärd, viola (“Should Time Fall in Between”)
Cover photograph by Edit Nilsson.
1. Mid-Town Hibernation
 2. For Otilia
 3. Chamber Music for the Night Watch
 4. Sacraments of the Street
 5. Pond Skating
Gustav Holger, vocals, guitar, piano, bass, drums, synths, woodwinds, string-arrangements
Cover photograph by Max Libell.
1. Introductory Remarks
 2. Lucile
 3. To a Friend
 4. Ode to Teachers at State-Funded Music Schools (Since I’ve Got No Leverage Concerning Your Wages)
 5. To Tranströmer
 6. Radio Intro
 7. Telegram From Coastal Town
 8. 4th Floor, Grevgatan, Slightly Offkey
 9. Radio Outro
 10. Grevgatan
 11. Metro Transit
 12. The Edge of Strandpromenaden Is Fettered to the Sky, or Nocturne for Docked Boats in Gowns of Frost, or a Victim of Indecisive Titling
 13. Methodology
 14. Summary
 15. Night Bus
Gustav Holger, vocals, piano, guitar, drums, harmonica, organ, tambourine, string-arrangements, bass, synths, stonaphone, sleigh bells
 Alma Rosendahl, vocals (“Grevgatan”)
 Nora Bergsgård, background vocals, reading of poem (“To Tranströmer”)
Cover photograph by Ida Larsson.
Lyrics
Workings of a Dream
The pending tempest at my heels
 “Look out, kid, you won’t last here
 The ruling’s too far gone now for upheaval”
 But the fire brushed the open wound
 The common life gave in too soon
 I’ve staked my time, not yet sure of the takingsI know that my time is fixed
 Like the wanting breath of the dying day
 As if light absolved in the fall eclipse
 Like the workings of a dreamCan’t be long till the sparing life
 Can’t be long until penance now
 If I can only break from the fate of those before me
 All men shall return to clay
 As all rule must cease one day
 I but hope to live to see atonementI know that my time is fixed
 Like the wanting breath of the dying day
 As if light absolved in the fall eclipse
 Like the workings of a dreamEvery cast returns to clay
 As every spirit folds one day
 I but hope my words remain to someone
Me and You
Me and you
 Got to get together
 Me and you, got to have love
 Me and you
 We are stars in other clusters
 Oh, but can't you see?
 It's got to be-Me and you
 We adhere still the old ways
 Asking nothing beyond enough
 Me and you
 We hold out before our passions
 But now that temperance is gone
 For who could bear that very long?Me and you
 We're the low voice of prayer
 The paragon, the blood and spirit fused
 Oh but, me and you, we're like votives that falter
 We're apostates in the dark
 But know we try so very hardMe and you
 We're the past in its onset
 We're shades burnt onto the silver prints of time
 Me and you
 We're the wavering constant
 We're the last days in flight
 Before the advent of night
The Oracle
Go find the oracle
 And bring her the news
 I wouldn’t like to keep her waiting
 Go find the sybil for me
 And tell her too
 That you can’t get it right alwaysNow back in Delphi
 They've got their signals crossed
 They’ve got the means
 But the war’s already lost
 But don’t make too much of their despair
 And don’t make too much of mine
 Oh, for they thought to stake against me
 They’ll pay for it in timeGo find the oracle
 And bring her the news
 I wouldn’t like to keep her waiting
 Go find the sybil for me
 And tell her too
 That you can’t get it right alwaysThey think the gods are in their favor
 But that’s only half-true
 I’ve got the genius
 There’s only so much they can do
 They’ll trust for providence
 To hold them by their side
 But they shouldn’t see to old tricks
 To salvage them this timeGo find the oracle
 And bring her the news
 I wouldn’t like to keep her waiting
 Go find the sybil for me
 And tell her too
 That you can’t get it right alwaysSoon her omens
 Will be buried in the sand
 I’m no supplicant -
 I guide my own hand
 They’ve got the numbers
 And their arms are on the move
 But I’ve got the nerve still
 Give them our weapons tooGo find the oracle
 And bring her the news
 I wouldn’t like to keep her waiting
 Go find the sybil for me
 And tell her too
 That you can’t get it right always
In the Day of Our Parting
When the nights first froze
 And distant stars hung close
 We went farther still
 With the seasons in their turnings
 And when the first cold mists came
 We were darkened still with rain
 And the lives that we forewent
 Must even now be waitingRemember my name
 In the day of our parting
 And I'll sanctify my dreams with thoughts of you
 You let down your veil
 With the spring-saints in mourning
 ‘Neath the rain-washed maples changing huesIn wisps of fog
 I first vow to give us up
 Sundered so far, yet I feel only now I reach you
 Oh, but part still we must
 The world is through with us
 And soon I'll wake to find frost on my sleeves in the far mountainsYou slept in the dew
 With grass for your pillow
 When I still thought the vision mine to keep
 And your wakened eyes were still
 Slanted with shadow
 When dawn scattered the blossoms of our sleepBefore the wind first wore the hills away
 Before the seas or stars were made
 Before our lives were bound in atrophy
 And morning rent the aphotic frame
 Before our spirits rose from emptiness
 The ovules of our love were found
 Where heaven and earth merge together at their boundWe are joined in our fate
 But I am set on my passage
 My heart shall never harbor
 Yours again
 Know I bear still your thought
 Oh, would you heed mine in passing?
 Should we never be
 Quite as we were then
I Can't Bear to Leave You
The stars bid us wander
 As we put out the flame
 In the dark of the foothills
 We ceded our names
 And if it cannot be altered
 This error of touch
 Know we asked for so little
 Though we wanted for much
 And I can’t bear to leave you
 I can't bear to leaveThe moon scattered our shadows
 As mist entered our mouths
 The peripherals led us
 As the centre turned out
 And should we fall to our yearnings
 Let us hold by the vow
 That it may be so always
 That it may be so now
 And I can’t bear to leave you
 I can't bear to leave
Mercedes
I must return to Mercedes
 On the seventh day in spring
 As the winds probe the currents
 And the paling rains begin
 And if fate reverse our odds
 I will recommence what wasAnd when the worlds first were parted
 In the rime and failing light
 And the old gods were silent
 As fires clove the night
 I saw time break from its course
 As the past weighed down on its sourceAnd should we too go with fire
 And the last front fall aside
 And our fortunes split asunder
 As my faults draw us behind
 Then I shall bear the blame
 As longing bears her nameAnd if it costs us our senses
 If it costs us our will
 And our days are as nothing
 And the holy storm be still
 If time and tide go on
 Then pass us two beyond
Starlight Threnody
When the wild wheat blows
 In cloaks of rain
 And when our breaths come cold
 And plovers part
 And cross the wind
 With the portent of snowWhen the bells of sleep
 Still the sounds
 And wash with light the heavens
 And the grasses sing
 With calling trills
 For the ancient and the livingWhen the starlight clings
 To our hollowed faces
 And when our time comes
 How swift our lives
 How slight our fate
 Against that world beyondI will take my leave
 Of this world like you
 To pass into the wind
 And will once again
 As the dew turns white
 Sleep with dreams of spring
Should Time Fall in Between
The sound grows still on banks of snow
 Our exhaled apparitions cast by the cold
 I haven’t yet slept and the cold stars are twined
 ‘Bove the fall of the frost on the electrical linesI recall your eyes under veils of sleep
 The revolving sparks on the face of the deep
 Cloaked in remains of the world as it came
 Woven with cinders, and thread’d through the flameI was called through the fog by an air unseen
 The light of the pilgrim in furrows of dream
 There is a veil past which we cannot see
 Where the void holds the form of the world we let beOh, would you see to her, for me?
 Should time fall in between
Mid-Town Hibernation
The iron pipes are frozen
 ‘Neath a trembling hand of snow
 With the wildwood of the tin roofs
 Sparsely dusted down below
 And just north of the tollgates
 The kids crusade the streets
 Knitted caps with sticks in hand
 And blades strapped to their feetAnd if you see their moments wearing out
 Shut their eyes
 If you hear their clocks are bleeding dry
 Just let them tryAnd slippin’ through the turnstiles
 Whilst adhering the mandate
 The disciples of down jackets
 With their middle part combed straight
 Sheltered by the backwoods
 Of these narrow, sunless rows
 Whilst phoning for numeric port codes
 As if pikers out in the snowAnd if you see their moments wearing out
 Shut their eyes
 If you hear their clocks are bleeding dry
 Just let them tryThat down-an’-out jazzcat
 Told me he moved here on a whim
 But wounded in line of duty
 This city sure wasn’t built for him
 Now he's got a trade, and the pay’s too good
 And he met some bird last year
 He says he’ll fare for New York, one day
 But I doubt he’ll make it thereAnd if you see their moments wearing out
 Shut their eyes
 If you hear their clocks are bleeding dry
 Just let them try
For Otilia
With the broken shards of angels
 Circling her eyes
 The deep-set sleeping blue
 Of the boreal skies
 With the feathered mist of meadows
 Woven through her curls
 As though the passing spectre image
 Of the endemic past unfurledWith the faintly singing sonants
 Springing in her speech
 The lyre-silver water
 Held just beyond my reach
 With the tailfeathers of Hesperus
 Kindling ‘neath her skin
 The slumbering horns of twilight
 And her Suzuki violinWith the woodland stars sighing
 To the tremor of her strings
 And the dirges from the burrows
 Of the resting pagan kings
 With her twined flowers at midnight
 As the ages interweave
 With that northern, eddan angel
 Flickering in between
Chamber Music for the Night Watch
The time tables mumbled as midnight prayer
 Kindled butane igniting the air
 Electrical lighting harnessed in pairs
 As the embers still move ‘neath their handsThe etching of sound through passenger rails
 Whispers of light in silvery veil
 As the spectres of sleep wither and fail
 And falter in softening huesCurls of tobacco adorning their heads
 Their mourning veils in cartons o’ red
 The wisp of the flame now depleted and dead
 As they pass silent over the bridgeThe stars hang shrouded in submerging light
 Chained to the skyway yet held beyond sight
 As synthetic illuminance blossoms in height
 Brushing the plumage of darkThe sermons of dawn yet sober in rest
 Suspended in silence with flowering crests
 As spark-gap transmitters of fleeting dreams nest
 In the utmost hour of night
Sacraments of the Street
Boys lean out of windows
 And breath nebulas of mist
 The body heat they’ve woven
 With the embers in their fists
 And girls tend to their hair
 In the bus windows at night
 With their flickering reflections
 In the periodic voids of lightHollowed metal carriers run
 On spark-wires of steel
 As beaded ropes of light unfold
 And the pantographs kneel
 And them light rail-pilgrimes
 Sit trembling with dream
 As their frozen breaths
 Ascend in wreaths of steamAnd just on the flowery margin
 Of mercury vapor suns
 Stand creased paper-faces
 With their newly solicited sums
 While neat boys ask adventure
 Of neon-nectar vialsWhile their deaths lay still sleeping
 ‘Neath the muted pave of time
 As broad streams of winter stars
 Float quiet between these isles
Introductory Remarks
I fold beneath the tension
 Where the axes of my wishes meet my pride
 And should regret know where I stand
 Let my remaining time not quiver ‘neath its handGot so much to live up to
 The delusions to which I tie my worth
 Scorch my conscience in the snow
 Agnafit, I’m comin’ home
Lucile
I let her wisps of smoke descend
 The scent of them catch my clothes again
 Her perishable breath
 Shouldn’t have to yield with such ease
 But I guess my mind does tooAnd despite that soft-spoken step of hers
 And its intrinsic modesty
 How her disregard erodes my words
 I know that I could without her love
 Without her loveDon’t weaponize that elusive spell
 You know there’s no way I couldn’t tell
 Or perhaps be more careful
 With whom you lend your time
 I guess I should be tooAnd despite that soft-spoken step of hers
 And its intrinsic modesty
 How her disregard erodes my words
 I know that I could without her love
 Without her love
To a Friend
I won’t dispute
 The terms of her surrender
 But I won’t upset myself
 Hearing you defend herI know that she is your friend too
 You’re bit by her contagious pride
 And yet I expected more from you
 You could’ve had the manners to play both sidesI won’t dispute
 The terms of her surrender
 But I won’t upset myself
 Hearing you defend herYour forgiveness lends you grace
 But chose carefully your pardoned
 Look not to their condemned deeds
 But to how they’re regardedI won’t dispute
 The terms of her surrender
 But I now regret
 Having you befriend her
Telegram From Coastal Town
The nightly rains speak softly
 The street lights toll in spite
 The radio’s frantic drone is cut
 As it’s tuned in to the night
 Felted keys in ivory
 Plays the midnight hour its psalm
 And every note sends ripples
 On the surface of its calmThe ancient facades shiver
 Next to time’s abiding youth
 Wishin’ once again to suffer
 What old age works so to soothe
 The women’s prior partings
 Remain the last words from the yard
 Where silent in the kerosene light
 Sit the old men cuttin’ cardsHere man and weary weather
 Have had lifetimes to reconcile
 And weaves of clement sea mist
 Are draped between the isles
 Here the city’s gentle inlet
 Acts a cradle for men at sea
 And its dimly-lit concrete
 Acts an old embrace for me
Grevgatan
My own qualms stand convicted
 In the light of her selfless air
 Amid cupidity’s silent culling
 She is one it chose to spareIn my own manner
 There is nothing but restraint
 She seems but the musings
 Of my abandoned love’s refrainAll must be ended
 Despite conceivement without fault
 But in this instant, always
 I’ll live right next to her heart
Methodology
Can’t make out the thread
 But I suppose it’s there
 Through the woollen caps
 And weathered courtyards
 The overcast tedium
 And ribbons of snow
 Sculpted in the faint glow
 And I know
 I can’t really leave
 Wherever I go
 It points back here
Summary
Do not extend
 My wait beyond my reach
 Do not extend
 My wait beyond my reachI’ve got no debts left unpaid
All music written and performed by Gustav Holger.